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Showing posts with label bronte digest. Show all posts
Showing posts with label bronte digest. Show all posts

Tuesday, February 20, 2007

Bronte Digest

In an effort to catch up on recent news, I have compiled one of my Bronte Digests. This should also save stress on those who receive Brontëana post through a feed (and especially Livejournal).

The Acting Company's production of Jane Eyre at Ball State University.
When: 8 p.m.
Where: Emens Auditorium
Cost: $5 for Ball State students

And in North Carolina:

JANE EYRE: An adaptation by Polly Teale of Charlotte Bronte's novel; 8 p.m., Farthing Auditorium, Appalachian State University, Boone. Presented by The Acting Company. Admission $16, $14 for seniors, $8 for students. Call 800-841-2787 or 828-262-4046.

See this post for other scheduled performances.

A glowing review of the North American DVD release of Jane Eyre 2006, praising its non-canonical approach:

[Jane]'s damaged, and this makes her undemonstrative to a fault – a bit of a pain, actually. She has to go on a journey to find her true character.
...
This Rochester is wrestling with a highly-developed dark side, losing, and rather enjoying it.

This article on muses is remarkable for mentioning dear Monsieur Heger:

A muse is used regularly by many well-known male artists. However, there are few instances where female artists have turned men into muses. The few examples include Charlotte Brontë's unrequited yearning for the married Monsieur Constantin Heger, her tutor, who became the model for Mr Rochester in Jane Eyre and for Paul Emmanuel in Villette, and Emily Dickinson's passion for her unidentified "Master" to whom she addressed some of her most fevered poems.

The times, they are a changin'? Apparently people are less interested in love nowadays:

Heather Schell, an assistant professor of writing, picked up similar attitudes when she taught a course called "Love, American Style" at George Washington University. Her female students loved to discuss the chick-lit book "Bridget Jones's Diary" and the sexual follies of Jones and her boss, Daniel Cleaver. But they were not enthralled with Edward Rochester's lengthy courtship in "Jane Eyre." Quick flings, or hookups, were okay, "but love was rarely mentioned in class discussions," Schell says.

Their favorite assigned reading? A poetry anthology called "The Hell With Love."

Science (and literature?) show that money can't buy love:

And there are precedents. Jane Eyre could only have Mr Rochester after he had lost his money and been blinded. Cathy's passion for Heathcliff deepened as he went mad and destroyed everything about him. Scarlett only loved Rhett when he was down on his luck. Could it be that there is something seriously damaged in the feminine psyche?

Friday, April 28, 2006

More on Jane Eyre 2006

Thanks to Christina for this interesting find. From the BBC Press Office, where our diligent reader, Alison, first brought us the first image from the production, BBC ONE controller Peter Fincham has a few words about the new production:

This autumn, in the same spirit, we're bringing back another of those iconic brands, Robin Hood. Our Robin Hood won't much resemble the old black-and-white series of the sixties, and nor will you mistake it for the eighties version Robin of Sherwood.

Those Spandau Ballet hairstyles will have gone, for a start. But in Robin Hood you have a story, and a world, that's worth revisiting for each generation.

At the other end of the spectrum we're broadcasting an ambitious dramatisation of Jane Eyre. It's shooting now in Derbyshire. I was recently shown some early scenes – they looked ravishing.

As with Bleak House, this is BBC ONE doing something that's in our DNA, something that the viewers almost demand of us – producing timeless, but modern, versions of the classics.

Both these series, by the way, introduce completely new faces to BBC ONE: newcomer Ruth Wilson, who plays Jane Eyre, and Jonas Armstrong as Robin Hood. Refreshing the family of talent on the channel, and avoiding the obvious route of playing safe with familiar faces.

There's our third confirmation that the production will be airing in autumn, not winter. It is possible that the production will appear on Masterpiece Theater in 2007.

A brief digest of Bronteana posts regarding the production:

Interview with Toby Stephens (Mr Rochester)
Haddon Hall (location for Thornfield Hall)
Speculation on Mr Eshton

Thursday, April 27, 2006

Digest of Today's Brontë News

Culled from Google News:

In Love with Love:
In a brief historicisation of the Romance novel the Brontës and Jane Austen are lumped together as 'The Gothics.' Characteristics thereof are delinated, while some interesting mental images for those who read this article too carefully provide some amusement.

From Page to Stage:
Humboldt Light Opera Company and College of the Redwoods present the musical drama Jane Eyre, April 28-May 13, at 7:30 p.m., with Sunday matinees on May 7 and 14 at 2 p.m. at the CR Forum Theater. (445-4310.)

More on the above production: A 'Gothic' Love Story. Tickets are $12 for general seating and $9 for students and seniors. (Image above is from this article).

A very odd nostalgic moment indeed, for a news article on violent crime: TODAY'S NOSTALGIA: On April 27, 1961, CBS' Family Classics aired a live production of Jane Eyre, starring Sally Ann Howes, Zachary Scott and Fritz Weaver. (*makes note to track this one down*)

Lucy Ellman's got a vulgar way of retelling Jane Eyre for her book 'Doctors and Nurses.' Read at your own risk.

Chris Rankin talks about his role as Edgar Linton in Wuthering Heights (near the end of the article): Wuthering Heights runs at The Capitol in Horsham from Thursday May 4 to Saturday May 6 at 7.30pm (plus Saturday matin?e, 2.30pm). Tickets start from £15 (concessions available). For more information, call the box office on 01403 750220 or visit the website at www.thecapitolhorsham.com

From an article on a play based on Ray Bradbury's novel Fahrenheit 451:
Here’s Emily Bronte’s “Wuthering Heights,” and there’s Tolstoy’s “War and Peace” – and is that Aristotle? The Book People have memorized books by heart with the hope of restoring them once out of these dangerous times.

Now how many out there think they could manage memorising one of the Brontë novels? Let me rephrase that... How many of you have memorised them?

And, a remarkably short yet informative life of Emily Brontë from the Navhind Times, India.