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Showing posts with label jane eyre 2006. Show all posts
Showing posts with label jane eyre 2006. Show all posts

Monday, May 14, 2007

Costume Show at Haddon Hall


From Matlock Today:

HADDON Hall is currently home to an exciting collection of costumes from last year's BBC adaptation of Jane Eyre filmed in the area.

Eight outfits are on display throughout the hall placed in rooms where they would be most appropriate.In the banqueting hall Jane's governess dress takes pride of place next to Rochester's everyday outfit.


(...)

Designer Angela Galer said: "The important thing is the script, I look for what will fire me up.

"When you meet the actors you get a better idea of what to do. The actress who played Blanche was very blonde and suited light colours, while Lady Ingram suits darker, more dramatic colours."

Thursday, April 12, 2007

Ruth Wilson Nominated for BAFTA


Nearly eight million viewers tuned in on Tuesday night for the final episode of Life On Mars to find out whether DI Sam Tyler was mad, in a coma or back in time. And now John Simm has reaped the rewards of his journey back to 1973 after being nominated in the best actor category at the Bafta awards.

The hit series also received a nod for best drama and audience award, although John's talented co-star Philip Glenister, whose character Gene Hunt is famed for his macho policing techniques and one-liners, lost out on a mention. He'll have another chance at Bafta glory though, as he's the star of next year's sequel Ashes To Ashes.

Victoria Wood, meanwhile, will be celebrating after earning a record 12th Bafta nomination for best actress in Housewife 49, a drama she wrote and starred in about a real-life Lancashire housewife's wartime diaries. The 53-year-old comedian has only won once, in 1986, for best light entertainment performance with An Audience With Victoria Wood.

She is up against The Virgin Queen's Anne-Marie Duff, Samantha Morton for Longford - a drama about the moors murders which leads the nominations with four nods - and Ruth Wilson for Jane Eyre. Businessman Alan Sugar and fiery chef Gordon Ramsey are up against each other in the features award category for their programmes The Apprentice and The F Word, while others battling it out include Ricky Gervais and Stephen Merchant in the comedy performance category for Extras.

Ever popular Dawn French is also nominated for her comedy role in The Vicar Of Dibley while the hit series' Christmas special is up for the audience award - the only one to be voted for by the public. Best entertainment performance is being fought out between Ant and Dec for their Saturday Night Takeaway, Stephen Fry, Paul Merton and Jonathan Ross.

The Baftas award ceremony takes place at the London Palladium on May 20.

Saturday, March 24, 2007

When will the hurting stop?...

This morning I went shopping with a friend of mine. Strolling down an aisle, I noticed the North American release for Jane Eyre 2006. After showing it to my friend, I returned it to its place, then gaped in horror, and snatched it up again...



Absent from this image is an endorsement, and the cause of all my distress.

"...style and substance with just the right amount of heaving bodices.
-The Guardian"

What soul agony was this? And yet, I can't deny that it is a somewhat accurate depiction for this sexed up version. And yet, my response was still, as I said to my friend: "The right amount of heaving bodices, being... none?"

Tuesday, March 13, 2007

Bronteana in the News

My Cornish correspondent, Aidan Brack, has just informed me that Bronteana has been voted 29th in a BBC poll for Best Drama Website of 2006! (The homepage for Jane Eyre 2006 came in 6th). I am very grateful to my readers for this totally unexpected honour. Bronteana came in just after 24, and ahead of Emmerdale, Judge John Deed, The Line of Beauty, Monarch of the Glen, New Tricks, Outpost Gallifrey, Sea of Souls, Silent Witness, and Waterloo Road.

Since coming to Halifax, I have not had the time to keep up to date on how Bronteana is being recieved, but it did come to my attention that the mirror blog I constructed on Wordpress has been a featured site for quite some time! The site is meant only to be a backup archive, but it is still very gratifying to know that my work is appreciated by the staff at Wordpress.

To all of my readers, thank you for your continued support!

ETA: While we're at it, Jane Eyre 2006 has won a top spot in all of the other categories: the production placed 3rd as overal most popular drama, Ruth Wilson has placed 2nd for best actress, Toby Stephens has placed 3rd for best actor, and the reunion of Jane and Rochester placed 2nd for favourite moment.

Interview with Ruth Wilson, and Tony performance of Jane Eyre: The Musical

Thanks to Pennyforyourdreams, here's a BBC Breakfast interview with Ruth Wilson to go with the Toby Stephens interview we posted months back.



Here is also a much better quality clip of the Tony Award performance of 'Sirens' from Jane Eyre: The Musical, featuring Marla Schaffel and James Barbour.

Tuesday, February 20, 2007

Bronte Digest

In an effort to catch up on recent news, I have compiled one of my Bronte Digests. This should also save stress on those who receive Brontëana post through a feed (and especially Livejournal).

The Acting Company's production of Jane Eyre at Ball State University.
When: 8 p.m.
Where: Emens Auditorium
Cost: $5 for Ball State students

And in North Carolina:

JANE EYRE: An adaptation by Polly Teale of Charlotte Bronte's novel; 8 p.m., Farthing Auditorium, Appalachian State University, Boone. Presented by The Acting Company. Admission $16, $14 for seniors, $8 for students. Call 800-841-2787 or 828-262-4046.

See this post for other scheduled performances.

A glowing review of the North American DVD release of Jane Eyre 2006, praising its non-canonical approach:

[Jane]'s damaged, and this makes her undemonstrative to a fault – a bit of a pain, actually. She has to go on a journey to find her true character.
...
This Rochester is wrestling with a highly-developed dark side, losing, and rather enjoying it.

This article on muses is remarkable for mentioning dear Monsieur Heger:

A muse is used regularly by many well-known male artists. However, there are few instances where female artists have turned men into muses. The few examples include Charlotte Brontë's unrequited yearning for the married Monsieur Constantin Heger, her tutor, who became the model for Mr Rochester in Jane Eyre and for Paul Emmanuel in Villette, and Emily Dickinson's passion for her unidentified "Master" to whom she addressed some of her most fevered poems.

The times, they are a changin'? Apparently people are less interested in love nowadays:

Heather Schell, an assistant professor of writing, picked up similar attitudes when she taught a course called "Love, American Style" at George Washington University. Her female students loved to discuss the chick-lit book "Bridget Jones's Diary" and the sexual follies of Jones and her boss, Daniel Cleaver. But they were not enthralled with Edward Rochester's lengthy courtship in "Jane Eyre." Quick flings, or hookups, were okay, "but love was rarely mentioned in class discussions," Schell says.

Their favorite assigned reading? A poetry anthology called "The Hell With Love."

Science (and literature?) show that money can't buy love:

And there are precedents. Jane Eyre could only have Mr Rochester after he had lost his money and been blinded. Cathy's passion for Heathcliff deepened as he went mad and destroyed everything about him. Scarlett only loved Rhett when he was down on his luck. Could it be that there is something seriously damaged in the feminine psyche?

Saturday, February 03, 2007

Jane Eyre 2006: Deleted Scenes

Denarios has posted clips of the deleted scenes from the BBC's mini-series. There are several clips included in each of the following:

Deleted Scenes from Episodes 1 and 2:



Deleted Scenes from Episodes 3 and 4:

Friday, February 02, 2007

Win a DVD of Jane Eyre 2006

Digital Spy is giving away three copies of the region 2 version of the new BBC mini-series:

Charlotte Bronte’s novel is brought to life in this lavish and complex adaptation. Newcomer Ruth Wilson (Jane Eyre) and Toby Stephens (Edward Rochester) head up an all-star cast including Francesca Annis, Tara Fitzgerald and Pam Ferris.

After a wretched childhood as an orphan and two years of being a teacher, Jane Eyre yearns for new experiences. She accepts a governess position at Thornfield Hall, where she tutors a lively French girl. She soon finds herself falling in love with the brooding owner of Thornfield, the dark and impassioned Mr Rochester. Jane gradually wins his heart but first they must overcome the dark secrets of his past before they can find happiness as man and wife.

When Jane saves Rochester from a fire, which he claims was started by a drunken servant, she begins to suspect that she has not been told the whole story. Her fears are confirmed when Rochester’s secret past is revealed, forcing Jane to flee Thornfield. Penniless and hungry, she finds shelter and friendship in the shape of a kind clergyman and his family, but she is soon shocked to uncover the hidden truth of her own past.

Adapted by Sandy Welch (North and South), produced by Diederick Santer (Much Ado About Nothing) and directed by Susanna White (Bleak House).

As well as all four 50 minute episodes, this 2-disc DVD includes extras such as interviews with cast and crew, commentaries on episodes 1 and 4, deleted scenes, photo gallery and BBC trails.

Monday, January 22, 2007

The Unexplainable

It is true that PBS aired the BBC's Jane Eyre 2006 the other day. I can only tell you that it is also true that this was accompanied by an event so unexpected that it can only be one thing: spookiness. Yes, spookiness. For it is winter and I have seen the Snow Toby. The Snow Toby was not there when I went to my office hours today, it was not there when I returned. Neither was it there when I went to class, but then I returned again that was when I saw it. If only I had brought my camera! Tomorrow I start off early for the class I teach, and then I hope no one has defiled him in my absence.

Okay, enough. What's a Snow Toby? Well, it's rather like a crop circle only in the snow and instead of a circle it is shaped precisely and spookily like "TOBY." It was spooky in an extra spooky way because I could see no footprints leading up to the Snow Toby. Ravens and red squirrels are the only other creatures in the area and they don't get PBS.

So, tomorrow I go hunting for the Snow Toby. If I succeed, I will post a picture of it here. If I don't return it is best not to send a search party unless you direct them into the library somewhere (might want to check in British Lit under 'B').

ETA:


Jane Eyre (by Polly Teale) Touring Schedule

Belatedly, here is the revised performance schedule for The Acting Company's production of Polly Teale's Jane Eyre.
Thanks to Paula Raymond, design and communications coordinator for sending this in:

Jan 18, 2007 Rockville, MD Robert E. Parilla Performing Arts Center
Jan 20-22, 2007 Flushing, NY Queens Theatre in the Park
Jan 27, 2007 Purchase, NY Purchase College Foundation-The Performing Arts Center
Jan 30, 2007 Ogdensburg, NY George Hall Auditorium - Ogdensburg Free Academy
Jan 31-Feb 1, 2007 Manchester, NH Dana Humanities Center - St. Anselm College
Feb 2, 2007 Burlington, VT Flynn Center for the Performing Arts
Feb 3, 2007 Durham, NH Johnson Theater - Univ. of New Hampshire
Feb 6-7, 2007 Pittsburgh, PA Byham Theater
Feb 8, 2007 Houghton, NY Houghton College Chapel Auditorium
Feb 10-11, 2007 Hampton, VA Hampton Arts Commission-American Theatre
Feb 13, 2007 Charlottesville, VA The Paramount Theater
Feb 14, 2007 Fairfax, VA Center for the Arts - George Mason University
Feb 16, 2007 Boone, NC Farthing Auditorium - Appalachian State University
Feb 17, 2007 Spindale, NC West Auditorium - Isothermal Comm. College
Feb 20, 2007 Muncie, IN Emens Auditorium - Ball State University
Feb 21-22, 2007 Holland, MI DeWitt Center - Hope College
Feb 23, 2007 Greenville, MI Greenville Area Community Center
Feb 24, 2007 Elyria, OH Stocker Fine Arts Center - Lorain County Comm. College
Feb 26, 2007 Cincinnati, OH Aronoff Center - Jarson-Kaplan Theater
Feb 27, 2007 Notre Dame, IN O'Laughlin Aud. - St. Mary's College
Feb 28, 2007 Flint, MI The Whiting
Mar 2, 2007 Toledo, OH Valentine Theatre
Mar 3, 2007 Windsor, ON Capitol Theatre & Arts Centre
Mar 5, 2007 Decatur, AL
Mar 6, 2007 Starkville, MS McComas Hall Theatre - Miss. State University
Mar 8, 2007 Arkadelphia, AR Arkansas Hall Auditorium - Henderson State Univ.
Mar 9, 2007 Pine Bluff, AR Arts & Science Center - Univ. of Arkansas at Pine Bluff
Mar 13, 2007 Natchitoches, LA Northwestern Theatre - Northwestern State Univ. of LA
Mar 15, 2007 Ruston, LA Howard Auditorium - Louisiana Tech. Univ.
Mar 16-17, 2007 Baton Rouge, LA Magnolia Perf. Arts Pavillion - Baton Rouge CC
Mar 19, 2007 Tupelo, MS The Link Centre Concert Hall
Mar 20, 2007 Wesson, MS Rea Auditorium - Copiah-Lincoln Comm. College
Mar 22, 2007 Thomasville, GA Cultural Center Hall
Mar 23, 2007 Jacksonville, FL Wilson Center for the Arts - Florida Comm. College Jacksonville
Mar 25, 2007 Newberry, SC Newberry Opera House
Mar 26-27, 2007 Talladega, AL Antique Talladega - The Ritz Theater
Mar 30-Apr 2, 2007 West Palm Beach, FL Kravis Center for the Performing Arts
Apr 10, 2007 Lakeland, FL Florida Southern College-Branscomb Auditorium
Apr 11, 2007 Clearwater, FL Ruth Eckerd Hall
Apr 15, 2007 Jefferson City, TN Gentry Auditorium - Carson-Newman College
Apr 17, 2007 State College, PA State Theatre
Apr 18, 2007 Annandale-on-Hudson, NY Bard College - Richard B. Fisher Center for the Performing Arts
Apr 20, 2007 Duxbury MA Duxbury Performing Arts Center
Apr 23-May 5, 2007 New York, NY Baruch Performing Arts Center Full Rep

Saturday, January 13, 2007

And so it begins...

I have an outline. Thus begins the Jane Eyre adaptation MA thesis. I'm very excited about finally getting to work on this piece which has been at least a year or two in the making. Thanks to my many minions and un-paid research assistants I have a ridiclously huge number of Jane Eyre adaptations to choose from. This thesis can only be the size of a small book, so I've had to leave out a few dozen adaptations, notably all of the radio adaptations and audiobooks, foreign works, and novels, paintings, illustrations, squirky spin-offs and a large amount of etcetera.

The winning adaptations are as follows:

1857:
Mad, mad, mad, and dancing farmers. Wohoo!

1934:
Slightly less mad, slap-stick, and 'uncle Edward.'

1944:
The classic. Highly aestheticised.

1952-62:
Westinghouse elecronic clarifiers and Charleton Heston.

1957:
Letchery, kinkiness, and more letchery- and Patrick MacNee.

1970:
Rather bizarre, aesthetic and restrained.

1973:
Perfection.

1982:
Kinda perfection and 'the handsome Mr Rochester.'

1996:
Very aesthetic, unusual interpretation.

1997:
Barking mad Mr Rochester- literally.

1996-2000:
Jane (and everyone else) sings!

2006:
Very aesthetic, fanfic-y.

One last note. I hope to get around to answering the increasing backlog of emails. Now that I'm settled in here I feel much better, more myself and less like a soul-less drudge. Ahem. I'll also try to get to answer all of the comments from the previous posts.

ps. Before I get any hate mail, bear in mind that I am only kidding and that it's almost 2:30 AM.

Wednesday, January 10, 2007

The Return of Jane Eyre

With the American premiere of the BBC's newest version of Jane Eyre imminent, the wires are again buzzing (slightly) with news. Not exactly news, but articles of some interest. I especially like this one which includes a few snarky comments about adaptions:

That's Edward Rochester. Bronte uses such words as "dark," "stern," "heavy brow" and "ireful and thwarted"; filmmakers prefer cute.

There's also this odd little tidbit from Matlock Today:

The shop has also bought the bed featured in the recent television series Jane Eyre. The bed is burnt during one heart stopping scene and will be displayed at the shop too.

Remember, it may be all well and good to watch Jane douce the raging inferno on Rochester's bed but please do not try it at home.

Saturday, December 23, 2006

The French Dancer's Bastard

Ha! Here we go again:

THE WILDLY DIFFERENT settings of post-revolutionary Paris and 19th-century Yorkshire provide much of drama in Emma Tennant's novel, a historical fiction about the life of one of literature's bit players: little Adèle Varens, from Charlotte's Brontë's Jane Eyre.

Not that the tale is without drama in the first place. Why did Brontë introduce Varens into her novel? She needed a child for Eyre to teach, a reason for her going to Thornfield Hall and meeting Rochester, certainly. But Brontë was also enough of a craftswoman to realise that another intriguing back story for Rochester, besides his stay in the Caribbean, would not only add to the exotic nature of his past, it would add another nail in his coffin of dubious moral values - values that Eyre ultimately restores to him.

Tennant is not happy to rest with Adèle as either plot device or moral counterpoint. As she tells Adèle's story, we see the Paris where she spends her early childhood, a bohemian, artistic Paris that is about as far from industrialising Yorkshire, hemmed in by wild moors, as it is possible to get.

It is here, in this convivial atmosphere, that Adèle lives with her adored mother, Celine, a beautiful actress and performer who flirts with counts and has mime artists and political agitators for friends. The haphazard presence of the dour Englishman, Rochester, who pops up from time to time, disrupts this easygoing life for little Adèle, who doesn't approve of his attentions taking her mother away. But this is nothing compared to the moment when her mother leaves Paris. Adèle is abandoned and only Rochester can look after her now - there's a clear implication that he is the child's true father.

But Adèle never adapts to Yorkshire; the meek little girl obsessed by ribbons and bows that Brontë paints, hides a vengeful, angry child in Tennant's re-visioning. On the surface Adèle plays the stereotypical child of Paris that her new "family" expects, vain and frivolous. Inside she is hardening, though, perhaps claiming that part of her that is the moors, the only part of her that is English. When she comes across the lonely Antoinette in the attic, she is at first overjoyed to meet another foreign soul, then horrified to discover who Antoinette really is. And so it is back to Paris that Adèle runs, after Thornfield Hall is destroyed by fire, returning to a much more politicised city, where her mother's friend, Jenny, introduces her to the feminist cause.

This is an interesting and ingenious twist - Jane Eyre has long been read as a proto-feminist text, full of symbolism about a young girl's adolescence (Jane's imprisonment in the red room by Aunt Reed, for example) and statements about female independence and how women are erroneously judged by their beauty alone. Now Adèle becomes the independent woman, making a living for herself on the high wire ("I was also ecstatic in my new career, neither woman nor child as I swung and pirouetted above the crowd"). This is the time of radical clubs and George Sand, easy to remain ignorant of out in the wilds of the Yorkshire moors.

Tennant uses a number of viewpoints to dramatise her story, giving Adèle, Rochester, creepy Grace Poole and Mrs Fairfax, their own voices. It's a strategy that works well, offering competing versions of the same events; more importantly, it allows us to see the change in Rochester and the emerging maturity of Adèle directly, rather than by report.

Fans of Brontë's classic can be assured that Tennant's story - even when she gives new interpretations of well-known events - is a fascinating complement to the great original.


Fascinating? ...Surely you jest? This was the most hilariously bad novel I've ever read. Although the reviewer deserves a gold star for tactfully avoiding any references to the inane plot (and plot holes unless this is a revised version of 'Adele' which she published some years ago). No mention of the gratuitious nudity (why wouldn't there be a hole in the bathroom large enough for Adele and Bertha (on a rocking horse) to look down at Mr Rochester while he takes a bath? Personally I find it all very fascinating. I also enjoy contemplating why he stands naked in the street earlier as well. And why Mrs Fairfax wants to kill Jane.

I must say that I am growing irritated with authors republishing their own novels under different names, trying to palm them off as new works. Is there a shortage of writers trying to get published? Not a few writers have approached me for assistance in publishing so that can't be the reason.

More to the point, why would a publisher choose to republish Adele? Would the delightful new title really make the book more appealling? Maybe if we republished Jane Eyre as Poor Starveling Possible Tramp we'd get more people to read it?

Wednesday, December 20, 2006

BBC Jane Eyre 2006 on Pre-Order in the US


The PBS Shop has the details on the January 8th release of the two disc set:

$29.98

The dark romantic mystery of Jane Eyre returns to the screen in this lavish new version for Masterpiece Theatre. A lonely young governess falls in love with the handsome, brooding father of her new student at Thornfield Hall, but neither Jane nor Mr. Rochester can escape the mysteries of their past lives. Toby Stephens, Ruth Wilson, and Francesca Annis bring Charlotte Brontë's timeless classic to vigorous new life.

Monday, December 11, 2006

Jane Eyre: The Musical Touring Company

From Avid Touring Group Ltd:

You will fall in love with this lush piece of musical theater storytelling and sweeping, unforgettable melodies by Paul Gordon.



A troubled young orphan wishing for liberty and the strength to rise above the hardships of her childhood grows to learn that true love and forgiveness do indeed overcome obstacles. As an ambitions young woman, Jane soon meets the gregarious and wealthy Edward Rochester. Their destiny unfolds when a deep, secret bond grows between them. But will class distinctions keep them apart, or can their hearts beat strongly enough to bring them together? And when a darker family secret and haunting tragedy unfold, will they be brave enough for love?

Star Casting to be announced shortly.


There are, of course, no dates for the tour yet but I'll keep you posted. Thank you, jess_squirrel, for the tip!

Sunday, December 10, 2006

Reminder About Air Dates for Jane Eyre 2006

Here's a brief reminder that the most accurate information will be available from your PBS station's schedule, as each station's air dates will differ. Here is one for the KQED station, for example. (This station covers northern California):

Jane Eyre - Part One (#3701) Duration: 1:56:46 CC Stereo DVS TVPG
After a wretched childhood, Jane Eyre arrives at Thornfield Hall to take over her duties as a governess. She soon falls in love with the brooding owner of Thornfield, Mr. Rochester. However, as Jane gradually wins his heart, her integrity and independence are pushed to the limit when Rochester's dark secrets emerge from his past. In part one, Jane embarks upon a career as a governess and takes residency at Thornfield Hall, where she and Rochester become instantly attracted to each other. However, some mysterious screams, untold secrets and upsetting gossip quickly emerge, imposing some unseen barriers between Jane and Rochester -- some that they might never overcome.

Channels and Airdates
KQED Channel 9
Sun, Jan 21, 2007 -- 9:00 pm
Tue, Jan 23, 2007 -- 3:00 am

KQED Encore
Mon, Jan 22, 2007 -- 12:00 am
Mon, Jan 22, 2007 -- 4:00 am
Mon, Jan 22, 2007 -- 8:00 am
Mon, Jan 22, 2007 -- 12:00 pm
Mon, Jan 22, 2007 -- 4:00 pm
Mon, Jan 22, 2007 -- 8:00 pm

KQED Life
Sat, Jan 27, 2007 -- 9:00 pm


Jane Eyre - Part 2 (#3702) Duration: 1:56:46 CC Stereo DVS TVPG
In part two, Rochester admits he has no intention of marrying Blanche and instead proposes marriage to Jane. As their wedding day arrives, events take a turn for the worse as Rochester's previous wife makes a surprising visit.

Channels and Airdates
KQED Channel 9
Sun, Jan 28, 2007 -- 9:00 pm
Tue, Jan 30, 2007 -- 3:00 am

KQED Encore
Sun, Jan 28, 2007 -- 9:00 pm
Mon, Jan 29, 2007 -- 12:00 am
Mon, Jan 29, 2007 -- 4:00 am
Mon, Jan 29, 2007 -- 8:00 am
Mon, Jan 29, 2007 -- 12:00 pm
Mon, Jan 29, 2007 -- 4:00 pm
Mon, Jan 29, 2007 -- 8:00 pm

Possible Professional Tour for Jane Eyre: The Musical and Japanese premiere in '09


Today is the anniversary of the official opening of Jane Eyre: The Musical. I thought it was fitting to share these few words from Paul Gordon, the composer of Jane Eyre: The Musical. Last week he informed his devotees that Jane Eyre is continuing its long journey... There is still hope that the show will be revived professionally for the tour circuit or concert venues:

Still discussing the possibility of a Jane Eyre tour. No word yet when it will happen but maybe 08'. There is a production slated for Tokyo in 09'.

Jane Eyre 2006 Viewing Schedule


Thanks to LERO member Annamir:

PBS, the foundation- and viewer- supported TV channel in the USA, has optioned the BBC's latest adaptation of "Jane Eyre" for it's "Masterpiece Theatre" series. MT is broadcast on the first two sundays & "Mystery!" on the last two or three. The Jan '07 MT broadcast dates are as follows, Part I (parts 1 & 2) Sunday, January 7th, at 8pm to 10 pm*Part II (parts 3 & 4) Sunday January 14th, at 8 pm to 10pm**Viewers Beware!: some states do not participate in the Daylight Savings program, in which we set our clocks back an hour in the autumn and ahead one hour in the spring. I think they are Arizona, Iowa, and Rhode Island. People living in these states must add an hour to the schedule: 9pm to 11pm. Check your local listings - this is especially important for Part II!

Thursday, December 07, 2006

Newly Published Letter from Patrick Bronte

The loving side of 'stern' Bronte father
By Clive White

A previously unpublished letter has thrown new light on the character of the clergyman father of the famous Bronte authors.

It now appears the Reverend Patrick Bronte was not the "cassocked savage" as branded by Elizabeth Gaskell, his daughter Charlotte's biographer.

It shows him to be, in fact, a loving and courageous dad.

The letter is among the archives at Lambeth Palace, London, and was written to Charles Thomas Longley, former Archbishop of Canterbury, who was a friend of Patrick.

In the letter Patrick says: "I have lived long enough to bury a beloved wife and six children - all that I had, I greatly enjoyed their conversation and company.."

"Now they are all gone - their image and memory remain and meet me at every turn - but they themselves have left me."

The significance of the four pages has been revealed by Bronte scholar and author Brian Wilks, of the Bronte Society.

It was written ten days after the death of Charlotte, the author of Jane Eyre and the sixth of Patrick's children to die before him.

The 78-year-old was left to grieve at Haworth Parsonage, and the letter gives a deeply moving account of the tragedies that struck his gifted family, said Mr Wilks.

The vicar lost his son Branwell, aged 31, in September 1848, Emily, who wrote Wuthering Heights, three months later, aged 30, his daughter Anne, aged 29, in May 1849, having already suffered the grief of losing his wife and two elder daughters some years earlier.

Mr Wilks, who intends to publish the letter in the Bronte Society Journal next autumn, said: "I have always supported the idea that Patrick was a compassionate man.

"It was fashionable to think of him as a bad tempered man and there may have been some of that, but overall he was very compassionate.

"The best thing about the letter is what he says about missing the company and companionship of his family.

"The letter is a missing piece of the jigsaw and will startle and delight Bronte enthusiasts."

It was sent to Longley in 1855 while he was Bishop of Ripon, thanking him for his words of comfort, but also reveals how Patrick's faith had been challenged by the devastation.

He says: "The Lord gave and the Lord took early awaybut I have often found and find in this last sad trial that it is often frequently extremely difficult to walk entirely by faith and sincerely to pray They will be done on earth as it is in heaven.'"

The sentiments in the letter contradict comments made by Mrs Gaskell in a magazine article. She said Patrick was a "cassocked savage who ought to be have been taken out into the garden and shot."

Ann Dinsdale, the Bronte Parsonage librarian, said the letter revealed Patrick as a loving father.

"Elizabeth Gaskell had an axe to grind. The Bronte novels at the time were perceived as brutal and shocking and she was trying to protect Charlotte.

"The way she did it was to make the case that what else could they write about when they were living in this backward place with a half-mad father and alcoholic brother?"

In reality Patrick was a compassionate father who suffered and missed his children, she added.


With a new biopic of the Brontes in the works, I can only hope that we will no longer see Patrick Bronte depicted as an abusive father. It is surprisingly difficult to escape from Gaskell's malicious portrait. So many editions of the Bronte novels state in their tiny penny paperback bios how their father was brutal, or severe. This letter does not surprise me in the least. Some of the well-known letters from Patrick are very warm, and sometimes even silly (as when he wrote a letter to Charlotte under the guise of one of the family dogs. Charlotte was so amused that she forwarded it to her friend). Needless to say, I have little love for Gaskell. Who, incidentally, didn't just say that Patrick ought to have been 'taken into the garden and shot' in a magazine article- she villified him in the biography she wrote for Charlotte at Patrick's request. It is well known today that she relied on the testamony of servants who had been dismissed and had their own 'axes to grind' as well as her own prejudices (she seems at a loss to understand how an Irishman could be so calm- he must have irrational 'volcanic' outbursts of rage while in private- such as shredding his wife's dress or throwing his children's boots into the fire). My point is, then that this letter is not so 'startling' as the article suggests...

Monday, December 04, 2006

Upcoming Productions of Jane Eyre: The Musical

Thanks to Mrs. Dionysius O'Gall for the tip!

CAPILANO COLLEGE
NORTH VANCOUVER, BC CA
From 12/15/2006
Until 12/15/2006

CHARLOTTE CHRISTIAN SCHOOL
CHARLOTTE, NC US
From 3/8/2007
Until 3/10/2007

HIGHLANDS RANCH JR SR HIGH SCH
HIGHLAND RANCH, CO US
From 4/12/2007
Until 4/21/2007

HOMESCHOOL PERFORMING ARTS
ALTO, MI US
From 4/26/2007
Until 4/28/2007

PITTSBURGH IRISH AND CLASSICAL THEATRE / PICT
PITTSBURGH, PA US
From 11/30/2006
Until 12/23/2006

STAGECOACH PRODUCTIONS
MONT VERNON, NH US
From 1/19/2007
Until 1/21/2007

VIEWMONT HIGH SCHOOL
BOUNTIFUL, UT US
From 3/9/2007
Until 3/17/2007

WESTMINSTER ACADEMY
FT LAUDERDALE, FL US
From 3/16/2007
Until 3/17/2007